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Bharata Samskruti
Rooted in Tradition, Expressed through Art
KUCHIPUDIMRIDANGAMITIHASA

Bharata Samskruti

A Cultural Academy of Kuchipudi, Mridangam & Itihasa.

Rooted in the Guru–Shishya Parampara
Where art becomes Sadhana,
and every step is an offering to the divine.

Founded By
Dr. Amukta Maalyada & Vid. Sri. Anand Srihari
Location
Visakhapatnam, Andhra Pradesh
Legacy
30+ years of Performances
20+ years of teaching · art academics · Indian Cinema
Bharata Samskruti sacred mark
ABOUT

Bharata Samskruti

A Cultural Academy of Kuchipudi, Mridangam & Itihasa
Illustrated mandala of Bharata Samskruti's pillars — Kuchipudi, Mridangam, Itihasa, Guru-Shishya Parampara, Discipline and Leadership, Excellence and Scholarship, an Offering to the Divine

Bharata Samskruti is a premier cultural academy dedicated to preserving, promoting, and propagating the timeless heritage of India's classical arts, spiritual traditions, and cultural knowledge. Rooted in the sacred Guru–Shishya Parampara, the academy offers authentic training that nurtures artistic excellence, discipline, devotion, and holistic personality development.

Inspired by Sri Nataraja, the Adi Guru, and the eternal symbol of cosmic rhythm, Bharata Samskruti views the performing arts as a path of Sadhana—a journey towards self-discovery, inner harmony, and cultural enlightenment. The academy is committed to creating artists, scholars, and responsible cultural ambassadors who carry forward India's rich traditions with integrity and excellence.

“Where Art becomes Sadhana, Knowledge becomes Wisdom, Culture becomes Character, and Every Step is an Offering to the Divine.”

Our Philosophy

Vision & Mission

Line-art illustration of Nataraja, the cosmic dancer

Our Vision

To establish Bharata Samskruti as a centre of excellence in Indian arts, culture, and knowledge, where the living traditions of classical arts, spirituality, and scholarship are nurtured and transmitted to future generations.

Our Mission

Bharata Samskruti is committed to imparting authentic and holistic training in Kuchipudi, Mridangam, and Itihasa, integrating practical learning with the cultural, philosophical, and spiritual foundations of these traditions.

Itihasa — launching soon

Three Paths

The Paths We Teach

I
Dr. Amukta Maalyada performing Kuchipudi
Nritya Sadhana
Kuchipudi

Comprehensive training in the classical dance tradition of Kuchipudi for beginners, intermediate, and advanced students.

Kuchipudi Sikshana Krama

  • Foundation techniques with Adugulu and Jathulu
  • Body conditioning and posture
  • Nritta, Nritya, and Natya
  • Abhinaya (expressive storytelling)
  • Classical repertoire
  • Theory, history, and aesthetics of Indian Classical Dance
  • Choreography and stage performances
  • Temple traditions and devotional compositions
  • Preparation for performances
  • Rangapravesams
II
Vid. Sri. Anand Srihari with the mridangam
Laya Sadhana
Mridangam

Systematic training in the art of Carnatic percussion, with emphasis on rhythm, tradition, and accompaniment.

Mridangam Sikshana Krama

  • Fundamental lessons
  • Talas and Laya
  • Traditional compositions
  • Accompaniment techniques
  • Rhythmic improvisation
  • Concert performance skills
Itihasa
Soon
Examination & Scholarship Preparation

Beyond the Studio

Bharata Samskruti provides structured coaching and mentorship for students aspiring to pursue recognized qualifications and prestigious cultural scholarships.

Certificate Examinations in Kuchipudi Dance and Mridangam

Diploma Examinations in Kuchipudi Dance and Mridangam

Practical and Theory Examinations

UGC NET Coaching (Performing Arts)

CCRT Scholarship Training

Guru Parampara

The Founders

Two artists, two lifetimes of Sadhana, one academy built to carry the tradition forward.

Dr. Amukta Maalyada
Founder & Guru — Kuchipudi

Dr. Amukta Maalyada

“Kuchipudi is not merely a dance form — it is a philosophical act. Every performance is an attempt to collapse the distance between the human body and the divine narrative it carries.”

A gold medalist in Kuchipudi and Ph.D in Dance, with three decades of performance, teaching, and research behind her — now Founder and Guru of Bharata Samskruti.

Ph.D in Dance M.A. Kuchipudi (Gold Medalist) Actress MA Hindu Studies CCRT Scholar MA English Literature B.Tech (CSE) South Indian Ramayana Narratives (Ph.D) Rotary International Cultural Ambassador to the USA
30+
Years of Sadhana
2
Feature Films
10+
Years in Art Academics
Recent honors: Ugadi Puraskaram (2025) · Guru Kalaratna Vempati Ravi Shankar National Yuva Puraskar (2025)

A dancer rises only as high as her roots let her. Smt. Sridevi gave her grace before she knew the word for it. Sri K.L.N. Ranga Rao gave her the discipline to stand still before she ever learned to move. And her Guru, ‘Kala Ratna’ Smt. A. B. Bala Kondala Rao, gave her the art itself. Mātṛ devo bhava. Pitṛ devo bhava. Ācārya devo bhava — the three pillars this timeline stands on.

Present
Founded Bharata Samskruti

Established to carry the discipline, devotion, and living tradition of Kuchipudi forward to the next generation of students.

December 2025
“Guru Kalaratna Vempati Ravi Shankar National Yuva Puraskar” by Visakha Arts and Dance Association
September 2025
“Padmabhushan Dr Saroja Vaidhyanathan National Yuva Puraskar” by Vysakhi Nrityotsav
March 2025
“Ugadi Puraskaram” by the Ministry of Culture, Government of Andhra Pradesh
2016 – 2024
IIDF Award for Kuchipudi · Best Teacher Award, REVA University · Young Researcher Award · “Inspiring Woman Art Educationist”, Femmetimes Media
2004 – 2005
On screen: Swarabhishekam & Hungama

Lead actress in Swarabhishekam, directed by Padma Shri Dr. K. Vishwanath — winner of the National Best Regional Film award — and in Hungama, directed by S. V. Krishna Reddy.

“Best Debut Actress” by Vamsee Berkely (November 2004) and by Bharata Muni Arts Academy (December 2004), both for Swarabhishekam.

Film reel graphic with a camera icon and stills from Swarabhishekam and a film celebration event
Kuchipudi academic authority

Designed Masters, Bachelors, and Diploma programs in Kuchipudi at GITAM, REVA, and Alliance University, and serves as a Doctoral Thesis Evaluator and Kuchipudi dance examiner for universities across South India.

Foundational training & credentials

Rotary Club Cultural and Goodwill Ambassador to the USA, performed at major sabhas in the country; designed & delivered a Ministry of Education MOOC on the history of Kuchipudi Natyam.

Also serves as Associate Professor & Head, Department of Fine and Performing Arts, GITAM University, and Co-chair of its Board of Studies, as well as a Board of Studies member at various universities across India.

Vid. Sri. Anand Srihari
Co-Founder & Guru — Mridangam

Vid. Sri. Anand Srihari

“Mridangam is more than percussion — it is the heartbeat of tradition. Every rhythm preserves lineage, every beat carries devotion, and every performance becomes a dialogue between time and timelessness.”

A child prodigy honored with the National Scholarship at age seven, with over 30 years as a sought-after accompanist — including alongside the legendary Dr. Mangalampalli Balamuralikrishna.

'A' Graded Artist, All India Radio CCRT Scholar Ph.D Scholar, Mridangam MBA M.A. Music Performed Worldwide
30+
Years as Accompanist
8
Countries Performed
Age 7
National Scholarship Prodigy
Titles & recognitions: Vayidya Ratna · President's Medal, AIR National Competition

Every rhythm returns to a pulse it was born from. Smt. Bala gave him warmth long before he found his beat. Sri Kondala Rao gave him the patience to sit with an instrument for hours on end. And his Guru, Sri G. Venkata Rao, gave him the taal itself. Mātṛ devo bhava. Pitṛ devo bhava. Ācārya devo bhava — three pillars, keeping time long before he ever did.

He is an ‘A’ graded artist of All India Radio and has performed across India and abroad — in the USA, Canada, UK, Germany, Australia, Mauritius, Nepal, and Ireland.

Academic career

Before turning to a full-time Academic career, he worked for a decade as an HR Manager at Vijay Nirman Company in Visakhapatnam, then joined REVA University, Bangalore as Assistant Professor before his current role at GITAM. He is well versed in Nattuvangam and the Indian Taala systems, and is pursuing a Ph.D at Andhra University titled “Evolution & Transformation of Mridangam and its Baanis.”

Stages of repute

Performed at the Madras Music Academy, Shanmukhananda Sabha, Konark Music and Dance Festival, Shantiniketan, TTD, and Andhra Music Academy, among many others across India and abroad.

Further honors

  • Recipient of the title “Vayidya Ratna”
  • All India 1st prize in AIR Competitions, and received the President’s Medal from the then President of India, Dr. APJ Abdul Kalam
  • “Swaralaya” Award
  • Kurella Trust Award
  • “Sangeeta Kala Samithi” Award
Guru–Shishya Parampara

Together, they founded Bharata Samskruti to pass on what their own Gurus gave them — not just technique, but discipline, devotion, and a living connection to India's classical traditions.

Svadhyaya · Digital Satsang

Learning Beyond the Classroom

A glimpse into our sessions — Kuchipudi footwork, rhythm, and sacred chants — filmed and shared on our YouTube channel.

Now Playing

Pedda Namaskaram

A grand namaskaram performed by the disciples of Dr. Amukta Maalyada, offered in reverence before the dance begins.

Go to YouTube Channel

Previews play for a short moment here — the full lessons are on YouTube. Watching there helps the channel grow.

KUCHIPUDI • MRIDANGAM • ITIHASA
In Their Words

Testimonials

Voices from our students and their families, on the journey with Bharata Samskruti.

Smt. Sri Lasya Edara
Smt. Sri Lasya Edara
Student, 10+ years

Being a student of my Guru Dr. Amukta Maalyada Anand for more than 10 years has been one of the most meaningful and transformative journeys of my life. When I look back, I realise that I did not merely learn Kuchipudi during these years—I slowly learnt to understand, respect and live through this beautiful art.

Being a student of my Guru Dr. Amukta Maalyada Anand for more than 10 years has been one of the most meaningful and transformative journeys of my life. When I look back, I realise that I did not merely learn Kuchipudi during these years—I slowly learnt to understand, respect and live through this beautiful art.

One of the most profound lessons I have learned from Akka is her constant emphasis on putting our “Praanam” into every movement. During corrections in class—whether it is a hand gesture, a posture, a leg movement, or even the smallest detail—she reminds us to dance with our entire praanam. To her, a movement is never merely a movement of the hand, head, or leg; the entire body and soul must move as one. She teaches us that when we put our praanam into what we do, the movement gains life, depth, and authenticity, and only then can it truly connect with the audience. This understanding has profoundly transformed my approach to dance. I have learned that dance is not simply about executing technique correctly, but about allowing the entire soul to move through the body. This beautiful philosophy of hers has changed not only the way I dance, but also the way I understand and experience the art.

There have been many stages, performances, challenges, mistakes, corrections and moments of achievement over a decade. Through every phase, my Guru has been a constant source of guidance and inspiration. She has always pushed me to improve, never allowing me to settle for “good enough” when I could become better.

Today, I can proudly say that I am not merely a student who learned Kuchipudi from her, but a student who has been shaped, nurtured, and transformed by her into a more discerning artist and a better human being. The lessons she has imparted go far beyond the boundaries of dance—they have taught me discipline, dedication, humility, expression, and, above all, to give my whole praanam to whatever I choose to do. Her influence has become an inseparable part of my journey as a dancer and as an individual. I will always consider it a privilege and a blessing to have walked this beautiful journey under her guidance.

I will always be grateful for these moments of learning, growing and discovering the beauty of Kuchipudi under her guidance. I sincerely hope to carry forward everything she has taught me and continue to remain a humble student of this beautiful art form.

With gratitude, respect and love,
Smt. Sri Lasya Edara

Ms. P. Kaivalya
Ms. P. Kaivalya
Student, 5+ years

Dance has always been a very important part of my life, but learning under Maalyada Akka has changed what dance means to me. I once believed that dance was a beautiful way of expressing yourself through movement and abhinaya. Through Akka, I began to understand that it goes far beyond that. She taught me to see dance as something deeply spiritual; a journey where the ultimate purpose is not merely performance, but a sense of surrender and, in its highest form, moksham.

Dance has always been a very important part of my life, but learning under Maalyada Akka has changed what dance means to me. I once believed that dance was a beautiful way of expressing yourself through movement and abhinaya. Through Akka, I began to understand that it goes far beyond that. She taught me to see dance as something deeply spiritual; a journey where the ultimate purpose is not merely performance, but a sense of surrender and, in its highest form, moksham.

One of the most important things I have learnt from Akka is that knowing a choreography is very different from truly dancing it. She constantly teaches us to understand the meaning behind every line, feel the emotion before expressing it, and completely immerse ourselves in the character we portray. She made me understand that when you become Satyabhama, you cannot simply act like Satyabhama; you have to think, feel and live as her for those moments. That lesson has completely changed the way I approach Kuchipudi and abhinaya.

What inspires me equally is Maalyada Akka herself as an artist. Watching her perform has always been something very special to me. I still remember rehearsing even a small portion of Bhama Kalapam with her during my diploma and how overwhelming that experience felt. It remains one of my most cherished memories, and sharing the stage with her someday is still one of my dreams.

Akka’s teaching goes much beyond correcting steps or preparing us for a performance. She teaches us to understand what we are dancing, why we are dancing it, and to respect the depth and tradition behind Kuchipudi. Her dedication to the art form and the standards she sets for her students constantly inspire me to learn more and become a better artist.

I feel incredibly fortunate to be Maalyada Akka’s student. She has not only taught me Kuchipudi; she has changed the way I see, feel and experience dance. For that, I will always remain grateful.

Smt. Prasuna
Smt. Prasuna
Mother of Durga Hasini

Joining Bharata Samskriti has been a transformative journey for my daughter. What truly sets this academy apart is the unique, holistic approach to teaching—blending rich theoretical knowledge with rigorous practical training, something rarely found in typical dance classes. Madam explains every aspect with crystal-clear clarity, imparting a deep appreciation for the art form’s spiritual and cultural significance.

Joining Bharata Samskriti has been a transformative journey for my daughter. What truly sets this academy apart is the unique, holistic approach to teaching—blending rich theoretical knowledge with rigorous practical training, something rarely found in typical dance classes. Madam explains every aspect with crystal-clear clarity, imparting a deep appreciation for the art form’s spiritual and cultural significance.

Under her grace and dedicated guidance, the traditional Guru-Shishya Parampara comes alive. Her encouraging nature and spiritual approach instill an incredible sense of discipline, passion, and vitality in the students. In just one year, I have seen a remarkable shift in my daughter’s focus and devotion. I am deeply grateful to have enrolled my daughter in an institution that honors ancient traditions so systematically, and I wish Bharata Samskriti reach immense heights!

Smt. Vibha Pappu
Smt. Vibha Pappu
Mother of Narayani

My daughter joined Bharat Samskruti in 2025. She is a very active and curious child who loves to explore everything around her. As a parent, I wanted her to experience and learn an Indian classical dance form, and that is how our journey with Dr. Maalyada began.

My daughter joined Bharat Samskruti in 2025. She is a very active and curious child who loves to explore everything around her. As a parent, I wanted her to experience and learn an Indian classical dance form, and that is how our journey with Dr. Maalyada began.

What I admire most about Dr. Maalyada is her patience, resilience, poise, and calmness in teaching children. She understands their individual nature and gently brings discipline and focus without taking away their joy of learning.

The most beautiful change I have seen is my daughter developing a genuine love for Kuchipudi. For me, that matters more than simply learning the steps. Seeing her enjoy the dance, connect with it, and look forward to learning more makes me very happy.

I am grateful to Dr. Maalyada and Bharat Samskruti for nurturing this love for our Indian classical art form in my child.

Thank you so much Dr. Maalyada.

Mr. Sasi with his son Kushal
Mr. Sasi
Father of Kushal, Mridangam student

In these times of modern culture and the trend of copy the west, the contribution of the Bharata Samskruti is very unique and most wanted now. The dedication and commitment of all the teachers towards Indian culture and Art is unfathomable. These unique qualities are transmitted to their students in a very transparent and systematic manner in line of parampara.

In these times of modern culture and the trend of copy the west, the contribution of the Bharata Samskruti is very unique and most wanted now. The dedication and commitment of all the teachers towards Indian culture and Art is unfathomable. These unique qualities are transmitted to their students in a very transparent and systematic manner in line of parampara.

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